Yes, one of Christian’s former submissives called Leila (Bella Heathcote) has begun showing up around Ana’s daily routine. Ana is still the same person, although she has gotten herself a new job and a stalker. It’s no spoiler to say that she begins this one by almost immediately reuniting with him. Its fundamental flaw is weaker but still there (the shakiness of romanticizing a relationship based upon pain), but it’s lighter and more wink-wink, moving its melodrama from the bedroom to the outside world, resulting in a less dreary film.Īt the end of the last film, Ana left Christian ‘for good’. For my money, ‘Fifty Shades Darker’ sidesteps most of these issues, and delivered an entertaining two-hour spectacle. It got quickly boring, despite its salacious premise, getting bogged down in romantic melodrama. Ana’s struggle wasn’t relatable (would she have even considered staying with Christian if he wasn’t a magnate, because he’s certainly not charismatic), nor was Christian’s excuse excusable (he was abused as a child). It started well with its tongue planted in its cheek, but the final hour was consumed with much handwringing, as Ana struggled to comprehend how Christian could find hitting her erotic if he truly liked her. Two years later, and its sequel in arriving in cinemas just in time to target its key demographic at Valentine’s Day.
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Despite the dubious characterization of the books’ central relationship, the books’ success inspired the 2015 hit movie based on the first book, ‘Fifty Shades of Grey’.
Its kick? Grey harboured a secret obsession with BDSM, an acronym for bondage, domination and sado-masochism. It told the story of Anastasia Steele, an unassuming girl who had a whirlwind romance with hunky multi-billionaire Christian Grey. The ‘ Fifty Shades’ trilogy of books was a surprise megahit, selling over 100 million copies worldwide.
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